The boundaries between creator and tool become blurred in „Werkzeugnis“. The brush is transformed from a silent helper into the protagonist of the scene in this series of two triptychs, not only creating the artwork but also becoming part of it. This approach reveals a surprising discrepancy between what is expected and what is actually presented. The work invites to re-explore the hidden dynamic between creator, tool and work and to appreciate how interaction with the artwork shapes and transforms its meaning.